U2360° TOUR Leg 1: 2009

Jul
12
2009

In The Mosh-Pit

3
12 July 2009
In The Mosh-Pit
Paris. Show 2.

Word came down that the band weren't going to sound check today, so I put off my departure for the venue until 3pm. This gave me the chance to meet some friends for lunch – they'd been at the gig last night but I'd barely seen them (as is not untypical of my show days) so it was very pleasant to catch up. Lunch, stroll by the Seine, all good.

Everything was pretty mellow at the venue which is a good sign. I don't want to speak too soon but the tour does seem to be settling down a little. There are still some big milestones to come - Berlin to Amsterdam is our first one-day move which will be a screaming mad rush, and then on to Dublin involving many trucks and not enough ferries. Today, however seemed relatively calm.

Come dinner time I went up to catering by myself and joined the queue. As we were bending over the dishes of rather splendid food, I noticed that the gentleman in the straw trilby in front of me was Woody Harrelson. Well I never. In front of him was Javier Bardem and in front of him was Penelope Cruz. Honestly, you wait all day in catering for an Oscar nominee to come along and then three arrive at once. And two winners, to boot.

During the show I made a point of watching from all over the building. Partly because of things having settled down a little so I'm freer to wander than I was for the first few shows, and also because access around this building is much easier than in previous venues. I particularly wanted to spend a good amount of time around the back (or 'twelve o'clock' as we call it, given that the traditional notions of 'upstage' and 'downstage' are a little vague in this set up), in order to understand what it's like to see the show from there - diametrically opposite to my 'home' position. There's a new bridge move cue in 'Boots' so I stayed at the mix position until that had happened successfully and then went hiking. My first stop was the very top tier, twelve o'clock, way up high. I got there during Magnificent and stayed through Beautiful Day into Mysterious Ways. Mysterious Ways was added tonight for the first time and given the rapturous reception it got, I'm sure we'll see it again. I was very pleased with how the show felt from up there and if standing on chairs dancing is an indication of Parisians having a good time, then I'd say they were enjoying it.

From there I made my way down to the lowest seats behind the stage where I saw the acoustic section. In truth this isn't where you'd choose to sit if you had options but I was surprised and delighted to see that the people here were also clearly having a great time, with unified cheers going up every time a band member came round the rear ramp.

Having explored the grandstands I decided to go for the jugular and watch the next chunk of the show from in the mosh-pit. I confess to not having set foot in the inner circle since rehearsals and to see the show from there is an entirely different experience. It's almost comical how the entire stage production becomes almost irrelevant with such immediate proximity to the performance. In the mosh-pit however, there is also a startling proximity to one's fellow man, which makes for a decidedly 'intimate' experience. It's funny, with normal gigs if you want to get out of the crush, you'd naturally move backwards, but here you have to move sideways. There's as much lateral movement in that part of the crowd as there is back and forth. It's a very high energy situation particularly as I made a point of being there for 'Crazy' when the whole place really does take on the feeling of a dance party. At a U2 show - extraordinary!

Having sweated enough I headed back to the relative calm of the mix position, very pleased to find that even though the experience of this show is very different when viewed from different parts of the building, it is a genuinely good experience wherever you are. Even right at the back of the field (six o'clock), up by the mix, where it must be the hardest to see, people had room to dance and generally carry on and the video screen brings the performance right to you. There were a lot of people having a lot of fun.

During 'Moment of Surrender' I picked up my bag and scuttled off to join the 'runner' to the airport and on to Nice. Long days, late nights.

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3  Comments
Sofija - 07 August, 2009
Wishes do come true..
I am an Austalian who lived in Bosna and Hercegovina at the time of the Sarajevo concert. I remember walking out of that concert and not being able to talk to anyone for at least a full day because I was so memorised by it all. I remember saying to a friend that if the day I get married is half as good as this I will be a happy woman. It was all so sureal. The fact that all the different nationalities of the Balkan region came together in such a peaceful manner after so much devastation was inspiring and a real tribute to U2. There was such an awe and mystic feeling that night that really can not be put down in words. I now live in Australia but have returned to Croatia to see U2 once again with my best friend who is also Australian but lives in Croaita. We used to dream about seeing U2 in Zagreb together as teenagers but thought it would never happen. Thank you U2 for helping our dreams come true and lettting us believe we can wish for anything.
mick.sherman - 06 August, 2009
Stand Up Comedy
Great Story Willie! Keep them coming...Could you do us fans a favour? Would you mind having a quite word with the band and ask them to play 'Stand Up Comedy'?! It is a fantstic song, and it would be great to see how it would work in concert. 'Cedars Of Lebanon' would also be great! Ive been to six shows so far, and my last two will be in Wembley next week. It would be great if they included these songs! They could drop 'unknown caller', or 'No line on the horizon' instead. Thanks a mill. MYK
chrisd - 05 August, 2009
That's it exactly
Got into the inner circle at Gothenburg... Willie describes the experience perfectly. At U2 shows you never know where to look - stage or screen. But you just know that whatever you choose to look at, it will be amazing. You've just always got that desire for an extra head on your shoulders...
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