U2360° TOUR Leg 3: 2011

Feb
25
2009

'View From The Corridor'

7

Wednesday, 18th February 2009
London. Brit Awards, Earls Court.

A little known aspect of big TV awards shows is the disproportionate amount of time spent hanging around in corridors. They actually build extra corridors especially for the event, to maximise the corridor-hanging opportunities. There's a simple reason - a regular gig comes with a huge quantity of rooms available for band dressing rooms, hospitality, offices, crew rooms, you name it. However, when 30 acts are sharing a venue with the massive production team required to stage one of these events, the available space shrinks to almost nothing. Consequently, the producers build an entire 'farm' of office-cubicle-like rooms backstage, which becomes a hive of temporary dressing rooms. U2 had two rooms; a lounge room and a smaller changing room. The rest of our touring party is welcome to use them too, but clearly there are long periods of time when we want to give the band some space. In the absence of anywhere else to go we end up… hanging in the corridor.
The corridor-view does provide an interesting perspective, though. The overall ambience of the multi-corridored dressing room area is that of a very well attended 'festival of doors'. There are doors everywhere, accompanied by oversized signage indicating who might be slumped on a rented couch behind the potted palms within. We were opposite Duffy's room, then further down the corridor were Girls Aloud, with Kings of Leon round the corner, Pet Shop Boys a little further afield, and so on. It's busy too, as people come and go to the stage, to the make-up room, or catering, or the spiffed up port-a-loos. Sitting on the floor, laptop on knees, gets to be like a real life version of flipping through Hello! magazine. Coldplay pottering about, the girls from All Saints coming to visit, Kylie charming as ever. When James Corden and Matt Horne went by, both wearing red mini-dresses and thigh-length black vinyl boots I began to wonder quite where I was.
U2 were on first which is always a bonus - a little like getting your homework done on Friday night so you have the rest of the weekend to play. It went well, looked good in the truck and Gavin Friday texted in to say he thought it came over well on the telly. We returned to the dressing room for a lower-case moment of celebration then relaxed into the rest of the evening. News came in of a five star album review from Rolling Stone ... we're only a week or so away from release.


Thursday, 19th February 2009
London/Paris/London. Recce for "Le Grand Journal" at Canal +, TV Studios.

Steve from management, Jake our production manager and I rendezvoused at St. Pancras railway station at the unholy hour of 8am to get the train to Paris. For reasons which never became apparent, despite making the booking at one time, we were seated all three separately, Jake in an entirely different carriage, which had me pondering train travel as a metaphor for life. On arrival, we headed for the TV studios of the 'Canal +' station and found our way to the studio of "Le Grand Journal" culture show.
We were met by the producers, director and technicians from the show, all of whom were extremely helpful. We figured out how the stage layout would be placed and I ran through the few basic points which I have learned to offer up as a guide to what works when shooting U2 for live television. It's a simple approach, which allows a good deal of local interpretation, so most TV stations appreciate the direction.
We were in and out of there in under an hour. It seems like a long way to come for a brief meeting, but even in these days of cellphone videoconferencing, there's still nothing quite so useful as a look at the space and a face to face chat. Jake headed for Charles de Gaulle airport to head on to Berlin to load in our equipment for the Echo awards rehearsal tomorrow, whilst Steve and I headed back to the Gare du Nord where we just managed to miss the 14.30 train. The next one wasn't until 16.30pm so we were forced to retire to the highly acceptable Terminus du Nord restaurant for a splendid white tablecloth lunch.
Back in London I had an evening engagement to see 'Avenue Q' at the Noel Coward theatre on St. Martin's Lane. It's a musical featuring depraved muppets and a great deal of very adult humour. I've never been a great fan of anything involving puppetry, but despite being such strange concept it was pretty entertaining all the same.

Related Topics

COMMENTS

7
John Izzard
26 February, 2009
Le Grand Journal
Living in France I was fortunate enough to catch the broadcast on Le Grand Journal as it went out on Monday evening. There's a real excitement here (as pretty much everywhere!) about the new album, something which came across well on Monday's show. Great to read about this (and more) from a behind-the-scenes perspective, so kudos and appreciation to Willie for taking time out to write these journal entries.Thanks, John
-trish-
26 February, 2009
Yay
Thanks for sharing. This is like having a backstage pass without having to deal with the cube farms you mentioned. :)
Knightfall
26 February, 2009
Down To Earth
Great to get a really down to earth perspective on what goes on behind the scenes at these things.  Sometimes I think we tend to think that the band just show up and do their thing!
biggusreddus
26 February, 2009
biggusreddus
Thank you Willie! I have been reading your post for a good 7 years now and they are always insightful, witty and compelling- even the ones about haircuts and laundry. Thanks for taking us "behind the curtain" and giving us a glimpse of life on the road with U2. PS. I've seen 42 U2 shows- staring with the Unforgettable Fire Tour.
Isabella
25 February, 2009
essential reading
I so enjoy reading about the work that goes into the magic. Thank you, Willie, for taking us along with you! I am filled with gratitude and joy that we get to do this again!!
TheRedge
25 February, 2009
Long Live WW
Willie, you rock brother! Been to all the tours starting with Zoo TV. I can't wait to see the live show and the lighting elements. Oh my god I cant wait!!
newdarkeyes
25 February, 2009
Great
I love to read these descriptions, are welcome.
Newer comments    1 - 7 of 7    Older comments

Current News

16 Apr, 2013
We've got winners in our #U2FTGU competition.
12
11 Mar, 2013
Photos and clips 'from the ground up' arriving every day. Love your work...
24
18 Feb, 2013
Ever made anything From The Ground Up? (See what we did there?) Check out our latest competition.
11
29 Jan, 2013
Those five bonus downloads when you subscribe to U2.com? All you need to know.
17
18 Dec, 2012
It opens with Breathe and closes with "40" - but what are the other thirteen tracks on Edge's Picks?
96
15 Nov, 2012
Fifteen tracks selected by The Edge... but what are they?
108
14 Nov, 2012
'From The Ground Up' is the inside story of U2360° and in this exclusive extract we go backstage with Adam.
9
27 Jun, 2012
Saturday marks three years since U2360 took off - we're hosting 'U22 Day' to celebrate.
61

Current News

25 Nov, 2014
Rare live set from 1980, now on double vinyl and digitally remastered. Introducing our 2014/15 subscription offer.
24 Nov, 2014
'It’s one of the proudest moments in U2’s history.' Band interview in new Mojo Magazine.
12
24 Nov, 2014
Take 11 urban artists, all inspired by Songs of Innocence. Result? Films Of Innocence.
5
19 Nov, 2014
Rolling Stone reports on Bono's cycling injury.
18 Nov, 2014
Sensational performance by Jimmy Fallon and The Roots, stepping in for U2 at the eleventh hour.
37
17 Nov, 2014
Band Aid 30 - raising funds to tackle Ebola in West Africa.
3
16 Nov, 2014
It looks like we will have to do our Tonight Show residency another time - we're one man down. Bono has injured his arm in a cycling spill in Central Park and requires some surgery to repair it. We're sure he'll make a full recovery soon, so we'll be back! Much thanks to Jimmy Fallon and everyone at the show for their understanding.
147
13 Nov, 2014
The band were in Berlin tonight, performing at The Bambi Awards.
5