Creatives from Brian Eno, Willie Williams and Es Devlin on the making of U2:UV.
Fender honours Adam with signature combo bass amp.
Enter the multi-media Zoo Station exhibit running alongside U2:UV at Sphere.
THE 2024 gift for subscribers to U2.com

News - Press

03 October, 2009
New edition of Rolling Stone on the streets and the band are talking about 'Songs of Ascent'.
25 September, 2009
'High-minded and earthy, exalted and playful, sometimes even goofy, wielding rock-star prerogatives while undercutting them with disarming informality.' The New York Times enjoyed the show.
18 September, 2009
The band were in the studios of Toronto's The Edge music station yesterday. Toronto was ready to meet them... and the show's host got a little surprise.
17 September, 2009
U2's fourth album, The Unforgettable Fire has been remastered and will be released by Mercury Records on 26th October.
13 September, 2009
'Greg Kot of the Chicago Tribune calls last night's show, 'One of the best stadium shows of the last decade.' Catch his video review.
06 August, 2009
'If I could only take one thing on tour it would be Irish tea bags.' Interview with Adam in The Observer Magazine.
25 July, 2009
Some great reviews in the Irish media of last night's first Dublin show. Here's a few highlights.
12 July, 2009
At the stadium last night France 2 interviewed the band before they went on stage.
22 June, 2009
'Whenever it started to look like something, Mark and I would push it in another direction. But it does look as though it has escaped from a giant space aquarium.' Willie Williams and Mark Fisher, the design team behind the new set, talk to the New York Times about how it all came together.
07 May, 2009
Billed as 'The Ultimate Music Guide to U2', a new magazine special from the makers of 'Uncut' is just on the streets.
06 May, 2009
Shot in Morocco, directed by Alex Courtes, starring Adam, Larry, Edge and Bono... could only be the video premiere of Magnificent. Enjoy.
08 April, 2009
'The world of music is rapidly changing, and new business models are developing fast, but all of this progress is threatened in a world where 95% of music downloads see no reward going to the creator. '
24 March, 2009
'It really works.' says Bono, 'It creates this real physical proximity to the crowd.' Rolling Stone on Willie Williams' design for U2 U2 360°.
12 March, 2009
It's a beautiful day in Dublin's docklands for the Rolling Stone photo shoot. This is how it happened.
11 March, 2009
From Australia and Canada to the US and the UK, 'No Line On The Horizon' has shot to the top of the charts all over the world in its first week of release.
07 March, 2009
From Letterman to 'U2 Way', quite a week in New York. And yesterdays gig at Fordham University was a bit special. (more)
01 March, 2009
'They don't think that any forum is unworthy of their attention.' Brian Eno on the secret of U2's success.
27 February, 2009
The band played a surprise set high on the seventh floor balcony of Broadcasting House in London tonight. Nobody knew about it, except the 5,000 fans who showed up and stopped the traffic. Again.
27 February, 2009
No Line on the Horizon is released in Ireland today... and then worldwide from Monday and Tuesday.
26 February, 2009
'And now performing Breathe, please welcome U2...' If you're in the UK, Friday is U2 all day.
25 February, 2009
The reviews of the new album are starting to arrive... pouring off the presses actually. Here's some of the early ones from the UK.
20 February, 2009
Rolling Stone gives the new record five stars and a glowing review. 'Bono knows he was born with a good weapon for making the right kind of trouble: the clean gleam and rocket's arc of that voice...'
16 February, 2009
As well as Fez, Morocco, the new album was written and recorded in three other cities.
16 February, 2009
'A search for soul in a brutal, confusing world, all bound together in narcotic melody and space age pop songs.' Neil McCormick of The Daily Telegraph really, really loves the new album.
15 February, 2009
'The work we did in Fez was the most joyous and liberating part of the whole album process. It was what I had always imagined being in U2 would be about: just playing music for the joy of it with no real end in sight.' Larry speaking to Sean O'Hagan of The Observer in the first, great set piece feature to capture the story behind No Line on the Horizon.